the record · sampled
Gallery
4,090 stills standing for 154,862 rendered frames across 6 passes and treatments — counting each channel separately, because each one is separately rendered. Every filename is the source frame number, so any still here is locatable in the master sequence.
A sampled gallery, not the masters. Each still is one frame of its pass, resized; `step` says how many source frames each one stands for, and `fps_equivalent` what that is in time. The cancelled rehearsals (pass-04/05/06) are omitted on purpose — an archive that silently includes abandoned takes is misleading rather than complete.
1,800 stills of pass-02’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 43,200 source frames; 360 stills of pass-02’s text channel, one every 120 frames — 0.2 per second of finished work, standing for 43,200 source frames; 365 stills of pass-08’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 8,748 source frames; 73 stills of pass-08’s text channel, one every 120 frames — 0.2 per second of finished work, standing for 8,668 source frames; 150 stills of pass-07-rehearsal’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 3,600 source frames; 264 stills of pass-01’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 6,319 source frames; 441 stills of glitch-09’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 10,571 source frames; 637 stills of glitch-12’s image channel, one every 48 frames — 0.5 per second of finished work, standing for 30,556 source frames.
pass-04, pass-05 and pass-06 were cancelled. 3,001 frames of abandoned takes exist on the share and are not sampled here. An archive that silently includes abandoned takes is misleading rather than complete, so they are named and left out rather than given an empty page.