6.6 · output, sampled
Gallery
The exhibition edit, pass-19e: 112,708 frames on each channel, 78:16 at 24 fps. 4,697 of them are here, one every 24 frames, image and instruction. Each still is named by its frame in the edit and says which sequence it was made in.
4,697 stills of pass-19e’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 112,708 source frames; 4,697 stills of pass-19e’s text channel, one every 24 frames — 1.0 per second of finished work, standing for 112,708 source frames.
pass-19e · the exhibition edit
Across the edit.
30 stills from start to end. Each opens here, with the instruction it was made from.
f0018731:18
f0056173:54
f0093856:31
f0131299:07
f01689711:44
f02066514:21
f02440916:57
f02817719:34
f03192122:10
f03568924:47
f03943327:23
f04320130:00
f04696932:37
f05071335:13
f05448137:50
f05822540:26
f06199343:03
f06573745:39
f06950548:16
f07327350:53
f07701753:29
f08078556:06
f08452958:42
f0882971:01:19
f0920411:03:55
f0958091:06:32
f0995771:09:09
f1033211:11:45
f1070891:14:22
f1108331:16:58Running order
The edit is cut from 8 sequences in 13 segments. Each row is where a segment begins in the edit, the sequence it was made in, and that sequence’s frames.
| in the edit | sequence | its frames | frames |
|---|---|---|---|
| 0:00:00 | pass19-intro-b | 2–1,440 | 1,439 |
| 0:01:00 | pass-19 | 201–11,390 | 11,190 |
| 0:08:46 | pass19-space | 2–7,200 | 7,199 |
| 0:13:46 | pass-19 | 11,451–23,150 | 11,700 |
| 0:21:54 | pass-17-rehearsal | 2–4,320 | 4,319 |
| 0:24:54 | pass-19 | 23,151–27,950 | 4,800 |
| 0:28:14 | pass-15 | 18,377–43,200 | 24,824 |
| 0:45:28 | pass-19 | 27,951–35,382 | 7,432 |
| 0:50:38 | pass-18-rehearsal-d | 2–4,320 | 4,319 |
| 0:53:38 | pass-19 | 35,383–37,815 | 2,433 |
| 0:55:19 | pass-16b | 14,659–19,287 | 4,629 |
| 0:58:32 | pass-19 | 37,816–64,800 | 26,985 |
| 1:17:16 | pass19-outro | 2–1,440 | 1,439 |






























