gallery · pass

pass-08

The two channels at the same frame number, image left and text right — which is what the work is. They are separate stacks on disk, never composited and never re-timed; one driver iteration renders both, and that is what frame-locks them. The cadence here is the text channel’s, the sparser of the two.

kind: pass
pass record: pass-08
stills: 365 image · 73 text
sampled every: 24 frames (1.0/s) · 120 frames (0.2/s)
source frames: 8,748
still geometry: 514×900 image · 514×900 text
covers: 1–8,737 · 0:00 to 6:04
prompts: not exported for this recipe · its schedule exists on the share; the resolved per-frame file does not, so no prompt is shown rather than a guessed one

this is a sample, not the archive

A sampled gallery, not the masters. Each still is one frame of its pass, resized; `step` says how many source frames each one stands for, and `fps_equivalent` what that is in time. The cancelled rehearsals (pass-04/05/06) are omitted on purpose — an archive that silently includes abandoned takes is misleading rather than complete.

365 stills of pass-08’s image channel, one every 24 frames — 1.0 per second of finished work, standing for 8,748 source frames; 73 stills of pass-08’s text channel, one every 120 frames — 0.2 per second of finished work, standing for 8,668 source frames.

this pass is still rendering

The gallery covers frames 1–8,737 because that is what existed when the record was exported. It grows on every export, and nothing here is cached into a template — the counts on this page were read from the manifest at build time.

73 stills · both channels · f000001 to f008737

Open any still in place. Each one is a URL, so a frame can be sent to someone; the browser’s back button closes it.